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“Ave Maria” (138) was the draggiest ballad on I Am, though it was helped little by being surrounded by too many other ballads in the first place. “Love a Woman” (137) is shockingly leaden for a collaboration between two of the most important R&B artists of the last quarter-century. “Lost Yo Mind” (136) sounds like a simultaneous retread of about a half-dozen superior B’Day-era tracks, most of which were also produced by Swizz Beatz and Sean Garrett. Hp Compaq Presario Cq60 Drivers For Windows 7. “Flaws and All” (133) has its moments, but the general lyrical conceit of “I’m a host of imperfections I don’t know why you love me” is pretty tough to not roll your eyes. (w/ Luther Vandross) ( Dangerously in Love, 2003) 129. (w/ Stevie Wonder) ( So Amazing: An All-Star Tribute to to Luther Vandross, 2005) 128. ( Revoir un printemps, 2003) 127.
(By Solange) ( Solo Star, 2003) 126. Steinberg Elicenser Emulator. ( I Am Sasha Fierce, 2008) 125. Jay Z) ( Dangerously in Love, 2003) 124.
( Dreamgirls OST, 2006) 123. (By The-Dream) ( IV Play, 2006) 122. (By Alicia Keys) ( The Element of Freedom, 2010) 121.
( The Pink Panther OST, 2006). “Back Up” (107) has a pretty slamming beat but not much else going on, though it’s worth remembering just to consider a time when the phrase “Circuit City Bonus Track” could’ve plausibly been A Thing.
“I Was Here” (105) seems to have its sights set on being something close to a signature closing number, but it comes off staid and formulaic on an album as generally loose and unpredictable as 4. “At Last” (103) was a strong enough take on Etta James’ most famous number for Bey to perform it at the, but there’s just no improving on the real thing. ( Dreamgirls OST, 2006) 99.
“Forward” (feat. James Blake) ( Lemonade, 2016) 98. ( Dangerously in Love, 2003) 97.
( The Fighting Temptations OST, 2003) 96. (w/ Mos Def) ( MTV’s Carmen: A Hip-Hopera, 2001) 95. ( I Am Sasha Fierce Deluxe Edition, 2008) 94.
(w/ Bilal) ( The Fighting Temptations OST, 2003) 93. ( 4 Japanese Bonus Track, 2011) 92. “Sandcastles” ( Lemonade, 2016) 91. ( Live at Wembley, 2004).
There were murmurs in the Beyhive of this song’s existence well before its release, and day-of, some fans claimed Bey had soundchecked it at that night’s stop on the On the Run tour. But nothing could’ve prepared fans for the hell-raiser that the icon dropped at midnight, with a selfie-studded single cover, and a defining guest turn by one of the few 2015 artists who could claim to be a worthy co-headliner. It’s at once the most self-aware Bey’s ever been — “Of course sometimes s—t goes down when it’s a billion dollars on an elevator,” she slings to the vultures — and her finest ode to femininity and bodily agency, Minaj putting it best with her startling “Curvalicious / Pussy served delicious.” In proper Queen fashion, it immediately slammed the Internet to a halt. Deservedly so. “Love on Top” ( 4, 2011).